Our Team

Simon Craddock

Position

CEO

Bio:

Simon is a passionate innovator, and as one of OnSight’s founders over 30 years ago, has lead the company to become internationally renowned for creative tech. Winning both an IBC Innovation Award and a Hollywood Advanced Imaging Society (AIS) Award, OnSight offers a unique solution for UHD for Cinema & VOD, 4K, Giant Screen (IMAX) and now 8K.

Tony Maher

Position

Head of Development

Bio:

Since joining the team in 1997, Tony has been integral to the growing areas of OnSight particularly in Post Production of Drama Features and Documentaries. Graduating from Facility Manager and Senior Producer, Tony now oversees new business at OnSight and initiating projects from development to delivery, relishing the more technically challenging projects.

Rik Tester

Position

Head of Operations

Bio:

Rik oversees technical operations and best practice at OnSight’s post facility in central London. Consulting with clients, OnSight creatives and the company as a whole to ensure OnSight offers a unique solution for UHD for Cinema & VOD, 4K, Giant Screen (IMAX) and now 8K.

Julia Veidt

Position

Head Of Documentary

Bio:

Julia has experience in post production sales as well as previously working in documentary production, she is a great communicator and brings her extensive knowledge of production processes to the team.

David Wilde

Position

Operations Manager

Bio:

With over 17 years of service within OnSight, David has been responsible for the bookings team, building client relations and facility management. He currently oversees the internal workings across all departments and aids in development of new ventures.

Helen McLaughlin

Position

Financial Controller

Bio:

Having worked in chartered accountancy for 10 years, Helen made the move into Company accounting in 2012. She brings to OnSight a wealth of experience in all aspects of accountancy, as a result of being senior management in SMEs in both the UK and Australia. Helen is responsible for the end to end management of OnSight’s finances.

Andy Lee

Position

Senior Colourist

Bio:

As a Senior Colourist for over 15 years, Andy has worked on an impressive array of award-winning projects spanning a diverse range of content types. Andy’s approach to colour and expertise in his craft, paired with strong working relationships with his clients, allows for their creative vision to be exactly realised. With his exceptional attention to detail, Andy has an discerning eye for bringing out the absolute best in every project.

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Showreel (password: 4ndY_L££_Showreel)

Emily Russul Saib

Position

Senior Colourist

Bio:

Emily has built up an impressive portfolio as a colourist, with her work regularly premiering at
festivals such as SXSW, Sheffield DocFest, and Raindance; showing theatrically and on platforms such
as Netflix and the BBC. As a colourist, Emily has great instincts, and builds strong client relationships
through her collaborative skills, commitment to projects, creative input, and her ability to reflect the
mood and story on screen with subtle, yet significant, adjustments. Her extensive technical knowledge
allows her to work seamlessly across genre and format; with features, documentaries, TV, and shorts
in her repertoire.

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Professional Instagram: @colour_by_emily

Showreel (password: showreel)

Max Horton

Position

Senior Colourist

Bio:

Max is a leading colourist in London. He has graded many feature films for studios such as Warner Bros. and Universal Pictures such as Three Lions and Gravity as well as high-end television dramas, music videos and commercials. He offers versatility with a wide range of credits and toolsets plus the strength in his ability to translate clients’ creative visions.

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Showreel (password: HORTON2017)

Jeff Halsey

Position

Lead Post Producer

Bio:

Jeff has been with the company for 18 years and heads up the team of post producers. Dedicated to the cause, he has an intimate knowledge of post workflows and processes.

He’s also a two time OnSight bake-off champion.

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Andy Coles

Position

Sound Supervisor

Bio:

Andy Coles is a sound designer, editor, and re-recording mixer with over 30 years of experience in Features, Documentaries, TV and Advertising. As our resident sound supervisor, he takes on responsibility for entire soundtracks with precise technical expertise, uncompromising attention to detail and an excellent ear for creative storytelling. 

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Adam Sample

Position

Senior Online Editor

Bio:

Adam has been working in the post-production industry for almost 30 years, earning a reputation as a meticulous, dedicated, and perceptive Online Editor. His expertise spans a wide array of genres, showcasing a particular talent for navigating technical challenges that demand precision and creativity.

Adam began with onlining within Avid, and over the years he has expanded his skill set to include Adobe Premiere and Mistika, with Da Vinci Resolve now his primary tool of choice.  Known for his detail-oriented approach, Adam’s working style is grounded in a robust and coordinated relationship with his clients. His ability to integrate technical expertise with creative vision makes him a valuable asset.

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Dan Bourne

Position

VFX & Online Editor

Bio:

Starting his Career in post-production he has had the opportunity to work on a wide range of productions from Documentary and Drama to live-performances and VR productions. Dan also has a wealth of experience on a variety of on set production work. His technical knowledge of post-production and his creativity has led him to OnSight where he has been working as an Online Editor/VFX Operator.

Andrew Fisun

Position

Online Editor

Bio:

Andrew is a dedicated online editor and started at OnSight as a digital lab technician providing the skills needed to deliver our digital services and support our edit suites.

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Joana Coelho

Position

Senior Post Producer

Bio:

Joana has worked in various producing roles since 2014, ranging from assistant producer to line producer. In post-production, she has managed and produced several giant-screen natural History Documentaries, Feature Films, TV shows and branded content.

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Jade Townsend

Position

Post Producer

Bio:

Jade does it all: documentaries, features, short films, and ongoing work for existing key accounts. Her speciality is music projects, documentaries, and concert films.

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Cem Kilinchan

Position

Post Producer

Bio:

Cem (pronounced Gem) has 10 years in the industry going from Post Operator to Post Producer. With this breadth of experience and his Chess skills, Cem can move all the pieces you need in place for a successfully managed project.

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Amelia Dive

Position

Development Producer

Bio:

As Development Producer, Amelia is the first point of contact for new and potential clients and projects. Amelia ensures we deliver our clients a high quality of service as well as initiating projects from development through to delivery and managing company social media accounts and online content.

Lisa Redwood

Position

Quality Control Operator

Bio:

Meticulously ensuring all of our broadcast and theatrical content is checked to the highest standard before delivery.

Sabrina Twohey

Position

Quality Control Operator

Bio:

Meticulously ensuring all of our broadcast and theatrical content is checked to the highest standard before delivery.

Martin Begley

Position

Senior Engineer

Bio:

In 2001, a crack commando was sent to prison by a military court for a crime he didn’t commit. This man promptly escaped from a maximum security stockade to the Covent Garden underground. Today, still wanted by the government he survives as soldier of fortune. If you have a problem, if no one else can help, and if you can find him…. maybe you can hire The Begley.

Tudor Colac

Position

Portal Support Technician

Bio:

Ensuring smooth running and accessibility of our Digital Archive Portals.

Alfie Mitchell

Position

Senior Edit Assistant

Bio:

Providing the skills needed to deliver our digital services and support our edit suites.

Sam Langshaw

Position

Senior Edit Assistant

Bio:

Sam provides technical expertise throughout the entirety of the Post Production process using skills he’s gained on a wide range of genres and formats both in the UK and abroad. As an Australian, he takes offense at our definition of summer.

Albert Caulker

Position

Junior Engineer

Bio:

“Cool as Ice Caulker” is always on hand to provide tech support throughout the facility.

Danielle Kidd

Position

Junior Edit Assistant

Bio:

Rising through the ranks to deliver assured edit assitance and a wide range of multi-platform deliverables.

Morgan Hood

Position

Digital Asset Coordinator

Bio:

Morgan works at the heart of the lab and takes care of all of the digital assets from when they enter the building through to delivery.

Maddie Harper

Position

FOH & Assistant Producer

Bio:

Maddie ensures clients have a quality experience at OnSight and supports the in-house team to guarantee the best levels of post-production services, whilst simultaneously managing company social media accounts and online content.

Sam Farndale

Position

Front Of House

Bio:

Sam ensures clients have a quality experience at OnSight and supports the in-house team to guarantee the best levels of post-production services. He is not allowed near the social media.

Mary Bristow-Warr

Position

Front Of House

Bio:

Mary ensures clients have a quality experience at OnSight and supports the in-house team to guarantee the best levels of post-production services.

Nina Ariff

Position

Bookkeeper

Bio:

Nina is the first port of call for all invoice queries and is responsible for providing accurate, up-to-date financial information.