Team
Simon Craddock
CEO
Simon is a passionate innovator and as one of OnSight's founders over 30 years ago, has lead the company to become internationally renowned for new technologies. OnSight has won both an IBC Innovation Award for 3D and a Hollywood Advanced Imaging Society (AIS) Award for VR and the films that they work on are continuing to win awards across the globe.
OnSight offers a unique solution for UHD for Cinema & VOD, 4K, Giant Screen (IMAX) and now 8K.
Tony Maher
Head of Development
Since joining the team in 1997, Tony has been integral to the growing areas of OnSight particularly in Post Production of Drama Features and Documentaries. Graduating from Facility Manager and Senior Producer, Tony now oversees new business at OnSight and initiating projects from development to delivery, relishing the more technically challenging projects.
Rik Tester
Head of Operations
Rik oversees technical operations and best practice at OnSight's post facility in central London. Consulting with clients, OnSight creatives and the company as a whole to ensure OnSight offers a unique solution for UHD for Cinema & VOD, 4K, Giant Screen (IMAX) and now 8K.
David Wilde
Operations Manager
With over 15 years of service within OnSight, David has been responsible for the bookings team, building client relations and facility management. He currently oversees the internal workings across all departments and aids in development of new ventures.
Helen McLaughlin
Financial Controller
Having worked in chartered accountancy for 10 years, Helen made the move into Company accounting in 2012. She brings to OnSight a wealth of experience in all aspects of accountancy, as a result of being senior management in SMEs in both the UK and Australia. Helen is responsible for the end to end management of ONSIGHTS finances.
Andy Lee
Senior Colourist
He has been working as a senior colourist for more than 15 years, developing his skills across features dramas, shorts, award-winning documentaries, television dramas and concert films. Andy's attention to detail and creative flair means excellent technical and visionary results
www.imdb.com/name/nm3412439/ ANDY LEE reel http://vimeo.com/onsightuk/andylee Password: Andylee_Sh0wr33l
Max Horton
Senior Colourist
Max is a leading colourist in London. He has graded many feature films for studios such as Warner Bros. and Universal Pictures such as Three Lions and Gravity as well as high-end television dramas, music videos and commercials. He offers versatility with a wide range of credits and toolsets plus the strength in his ability to translate clients’ creative visions.
Andy Coles
Sound Supervisor
Andy Coles is a sound designer, editor and mixer with over 20 years of experience in the Advertising, Film, Television, Radio and Cinema industries. His natural progression has been to take on responsibility for entire soundtracks as sound supervisor, editor and mixer.
Isabelle Payne
Colourist and Online Editor
A self confessed Cinephile, Isabelle knew she wanted to work in film since way back in 1993 when at the age of twelve she saw Jurassic Park no less than six times in the Cinema. She has worked both in front and behind the camera and in the music and TV broadcast industries, building 15 years of experience in post before making the move to OnSight as QC supervisor in 2016. Since starting at OnSight she has been mentored by the senior Colourists and is now putting her creative flare and eye for detail to good use as a Colourist and Online editor.
https://pro.imdb.com/name/nm10334391/?ref_=instant_nm_1&q=Ellory%20Gaskin-Payne
Adam Sample
OnLine Editor
Adam began working in the industry in 1995 and worked up to Linear Tape editing with international clients such as MTV, BBC, Disney and HBO. Since then, he’s progressed onto Drama onlining; on-site Music Festival short form editing; onlining international movie promos and TV Spots before joining as an Online Editor here, at OnSight. Adam is dedicated, keen, perceptive - with an eye for detail and really enjoys the technical side to editing. He is a big fan of using Avid but is also proficient with other editing platforms.
Jeff Halsey
Senior Producer
Jeff has been with the company for over 15 years and is a dedicated Post Producer. Having been account manager for some of the world’s best known documentary bands and music distributor catalogues he has an intimate knowledge of post workflow and delivery processes.
Below are some of Jeff’s recent Post Producer credits for Feature Film and Documentaries;
The Elephant Queen (Wild Inspiration)
The Informer (The Fyzz)
Inside the world’s Toughest Prisons (Emporium Productions/Netflix)
Strangers: Prey at Night (The Fyzz Facility/Bloom)
High Strung: Free Dance (Riviera Films)
Possum (BFI, The Fyzz Facility)
The Isle (Great Point Media, Fizz & Ginger Films)
Joana Coelho
Post Producer
Joana has been working in various producing roles in comedy and entertainment TV since 2014, with her credits ranging from assistant producer to line producer. Joana has since shifted to post production, where she has worked on an eclectic mix of Imax and 3D Natural History Documentaries, Feature Dramas, Short films, TV shows and branded content. She is currently Post Producing two new exciting IMAX 3D feature films.
Joana’s most recent credits include:
BBC Lockdown Comedy Staged 1&2
Antarctica 3D (BBC Earth Films)
Arctic: Our Last Great Wilderness (Terra Mater Factual Studios)
Oceans: Our Blue Planet (BBC Earth Films)
Bruno (Ipso Facto)
Hidden Pacific (Tandem Stills + Motion, Inc.)
Jess Netley-Verrinder
Account Manager
Handling all ongoing work for existing key accounts and providing support for new ones.
Niamh Livingstone
Development Producer
Niamh is a Development Producer at OnSight and is the first point of contact for new and potential clients and projects. Niamh ensures we deliver our clients a high quality of service as well as promoting our digital asset management system that stores, shares and organizes digital assets in a central location as well as creating content on our social media platforms.
Jade Townsend
Post Coordinator
Assisting the producing and bookings for a wide range of projects and ensuring we deliver our clients a high quality of service.
Darren Tonge
Quality Control Operator
Meticulously ensuring all of our broadcast and theatrical content is checked to the highest standard before delivery.
Tudor Colac
Senior VFX Operator
Delivering quality VFX, Tudor also spearheads our technical infrastructure.
Mario Moreira
Digital Lab Supervisor
Overseeing the output of our machine room, edit support and digital services.
Max Laurie
VFX and Media Technician
Delivering quality VFX and providing the skills needed to deliver our digital services and support our edit suites.
Andrew Fisun
Digital Lab Technician
Ellie Clissett
Digital Lab Technician
Providing the skills needed to deliver our digital services and support our edit suites.
Gabriel Duceac
Support Technician
On hand to ensure smooth running of the facilities suites and technical services.
Alfie Mitchell
Digital Lab Coordinator
Providing the skills needed to deliver our digital services and support our edit suites.
Dalvin James
Front Of House
Dalvin ensures the quality of the client experience at OnSight while supporting the inhouse team to guartentee the best levels of post productions services.
Mads Jones
Front Of House
Mads ensures the quality of the client experience at OnSight while supporting the inhouse team to guartentee the best levels of post productions services.
Rocky
Front of House
Will work for biscuits...