Team
Simon Craddock
CEO
Simon founded ONSIGHT just over 27 years ago and has been working at the leading edge of technology for his entire career. Having purchased Axis Films in 2008, he has led the way in digital acquisition and has helped pioneer live action and post production in the UK for HD, 3D, 4K and now VR.
Tony Maher
Head of Development
Since joining the team in 1997, Tony has been integral to the growing areas of ONSIGHT particularly in Post Production of Drama Features and Documentaries. Graduating from Facility Manager and Senior Producer, Tony now oversees new business at ONSIGHT and initiating projects from development to delivery, relishing the more technically challenging projects.
Rik Tester
Head of Operations
Rik oversees technical operations and best practice at ONSIGHT's post facility in central London. Consulting with clients, ONSIGHT creatives and the company as a whole to ensure ONSIGHT delivers to the highest standards in HD, 2K cinema, 3D, 4K/giant screen and now VR.
David Wilde
Operations Manager
With over 12 years of service within ONSIGHT, David has been responsible for the bookings team, building client relations and facility management. He currently overseas the internal workings across all departments and aids in development of new ventures.
Helen McLaughlin
Financial Controller
Having worked in chartered accountancy for 10 years, Helen made the move into Company accounting in 2012. She brings to Onsight a wealth of experience in all aspects of accountancy, as a result of being senior management in SMEs in both the UK and Australia. Helen is responsible for the end to end management of ONSIGHTS finances.
Joanna Craddock
Management & HR
Having worked in management throughout her career, Joanna brings a wealth of experience to the team
Andy Lee
Senior Colourist
He has been working as a senior colourist for more than 15 years, developing his skills across features dramas, shorts, award-winning documentaries, television dramas and concert films. Andy's attention to detail and creative flair means excellent technical and visionary results
www.imdb.com/name/nm3412439/ ANDY LEE reel http://vimeo.com/onsightuk/andylee Password: Andylee_Sh0wr33l
Max Horton
Senior Colourist
Max is a leading colourist in London. He has graded many feature films for studios such as Warner Bros. and Universal Pictures such as Three Lions and Gravity as well as high-end television dramas, music videos and commercials. He offers versatility with a wide range of credits and toolsets plus the strength in his ability to translate clients’ creative visions.
Andy Coles
Sound Supervisor
Andy Coles is a sound designer, editor and mixer with over 20 years of experience in the Advertising, Film, Television, Radio and Cinema industries. His natural progression has been to take on responsibility for entire soundtracks as sound supervisor, editor and mixer.
Maggie Maciejezek-Potter
Colourist and Online Editor
Maggie started in the industry ten years ago and has held several varying roles over the years before coming to Onsight. In that time she started as a Digital Technician working her way up to Online. Maggie has been been an Online editor and Colourist for four years now, specialising in Trailers and TV spots, while keeping a keen eye on all technical advances in the industry. Maggie has worked on shows here at Onsight such as Gumball, Arcade Fire and Where the Wind Blew (Feature Documentary).
Links:
Vimeo (Password: m@c1ejczek)
“I see dead pixels”
Ellory Gaskin-Payne
Colourist and Online Editor
Spearheading our quality control services with over 10 years experience.
Ellory brings 10 years of Quality Control experience and exceptional facial hair.
Adam Sample
OnLine Editor
Adam began working in the industry in 1995 and worked up to Linear Tape editing with international clients such as MTV, BBC, Disney and HBO. Since then, he’s progressed onto Drama onlining; on-site Music Festival short form editing; onlining international movie promos and TV Spots before joining as an Online Editor here, at Onsight. Adam is dedicated, keen, perceptive - with an eye for detail and really enjoys the technical side to editing. He is a big fan of using Avid but is also proficient with other editing platforms.
Jeff Halsey
Senior Producer
Jeff has been with the company for over 12 years and is a dedicated Post Producer. Having been account manager for some of the world’s best known documentary brands and music distributor catalogues he has an intimate knowledge of post workflow and delivery processes.
Below are some of Jeff’s recent Post Producer credits for Feature Film and Documentaries;
Inside the world’s Toughest Prisons (Emporium Productions/Netflix)
A Day in the Life of Earth (ZDF/CBC)
Iceland Is Best (No reservations Entertainment)
Three Seconds (The Fyzz Facility/Thunder Road)
The Elephant Queen (Wild Inspiration)
Strangers: Prey at Night (The Fyzz Facility/Bloom)
High Strung: Free Dance (Riviera Films)
Possum (BFI, The Fyzz Facility)
The Isle (Great Point Media, Fizz & Ginger Films)
Earth: One Amazing Day BBC Worldwide
Callina Pearson
Post Producer
Callina is a post producer for a wide range of projects including Feature Dramas, Feature Documentaries and animation and always ensures we deliver our clients the highest quality of service.
Callina’s most recent credits include:
Werner Herzog meets Gorbachev (Spring Films)
Tales from The Lodge (Hook Pictures)
Mrs Lowry & Son (Genesius Pictures)
Viking Destiny (Misfits Entertainment/Film Mode Ent)
Me My Mouth and I (BBC/The Sunshine Company)
Supermarket secrets (Emporium Productions)
A Midsummer’s Night Dream (Parkhouse Pictures)
Pond Life (Open Palm films)
Undercliffe (Open Palm films)
The Amazing World of Gumball (Turner Broadcasting)
Sarah Banks
Development Producer
Sarah has had years of experience across different areas of the media industry, especially focussed on client facing roles. She is Development Producer at Onsight and in this role is the first point of contact for new and potential clients and projects.
Joana Coelho
Post Producer
Joana has been working in various producing roles in comedy and entertainment TV since 2014, with her credits ranging from assistant producer to line producer. Joana has since shifted to post production, where she has worked on an eclectic mix of Imax and 3D Natural History Documentaries, Feature Dramas, Short films, TV shows and branded content. She is currently Post Producing two new exciting IMAX 3D feature films.
Joana’s most recent credits include:
Oceans: Our Blue Planet(BBC Earth Films)
Bruno (Ipso Facto)
Don’t Hug Me I’m Scared(Blink Industries)
A Night at the Circus (BBC Studios)
Treasure Hunters (Emporium Productions)
Gucci 3D (Frieze & Gucci)
Zima Blue (Passion Pictures)
Tigerclaw (Cotton Reel)
Jess Netley-Verrinder
Account Manager
Handling all ongoing work for existing key accounts and providing support for new ones.
Taylor Burnett
Bookings Assistant
Assisting the producing and bookings for a wide range of projects and ensuring we deliver our clients a high quality of service.
Rosie Ross
Bookings Assistant
Assisting the producing and bookings for a wide range of projects and ensuring we deliver our clients a high quality of service.
Tudor Colac
VFX Operator
Delivering quality VFX, Tudor also spearheads our technical infrastructure.
Mario Moreira
Digital Lab Supervisor
Overseeing the output of our machine room, edit support and digital services.
Max Laurie
Digital Lab Technician
Providing the skills needed to deliver our digital services and support our edit suites.
Emma Black
Digital Lab Technician
Providing the skills needed to deliver our digital services and support our edit suites.
Emma is multi skilled and has a gorgeous creative flair.
Chelsea Aldred
Digital Lab Technician
Providing the skills needed to deliver our digital services and support our edit suites.
Gabriel Duceac
Support Technician
On hand to ensure smooth running of the facilities suites and technical services.
Grace Blick
Digital Asset Coordinator
Ensuring all digital data throughout the facility is quantified, checked and monitored.
Rocky
Front of House
Will work for biscuits!