Provide cameras and post for the returning comedy
Client Grant Naylor Productions
Brief Provide cameras and post for the returning six-part comedy.
How it was done Shot on Red Epics with a mixture of Angenieux Optimo, Arri Alura and Ultra Prime zoom lenses, ONSIGHT’s SGO Mistika systems were used to handle the large amount of data, with high-resolution files used in the post process.
ONSIGHT’s lead VFX editor, Miguel Caamaño, built background imagery such as planets and moons using Mistika and The Foundry’s Nuke.
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